Carlos Gardel (born Charles Romuald Gardès; 11 December 1890 – 24 June 1935) was a French-born Argentines singer, songwriter, composer and actor, and the most prominent figure in the history of tango. He was one of the most influential interpreters of world popular music in the first half of the 20th century. Gardel is the most famous popular tango singer of all time and is recognized throughout the world. Described variously as a baritone or tenor because of his wide vocal range, he was known for his rich voice and dramatic phrasing. Together with lyricist and long-time collaborator Alfredo Le Pera, Gardel wrote several classic tangos.
Gardel died in an airplane crash at the height of his career, becoming an archetypal tragic hero mourned throughout Latin America. For many, Gardel embodies the soul of the tango style. He is commonly referred to as "Carlitos", "El Zorzal" ("The Song thrush"), "The King of Tango", "El Mago" ("The Wizard"), "El Morocho del Abasto" ("The Brunette Boy from Abasto"), and ironically "El Mudo" ("The Mute").
In 1967, a controversial theory was published by Uruguayan writer Erasmo Silva Cabrera, asserting that Gardel was born in Tacuarembó, Uruguay. Other authors expanded upon this theory, and a museum to Gardel was established in Tacuarembó. But Gardel's friends and family all knew him as a French immigrant from Toulouse. Scholarly researchers analyzed the contradictory evidence, especially French birth and baptismal records, and confirmed his birthplace as Toulouse.
Gardel's mother settled at the western edge of the central San Nicolás district of Buenos Aires, at Calle Uruguay 162. She worked two blocks away on Calle Montevideo, pressing clothes in the French style, which commanded a relatively high price in the fashion-conscious city.Collier 1986, p. 6 Gardel grew up speaking Spanish, not French, with friends and family calling him Carlos, the Spanish version of his French name, and often by the familiar diminutive form Carlitos.Collier 1986, pp. 7–8
Some time after 1918, Laserre traveled from France to Buenos Aires to ask Berthe Gardès, now called Doña Berta, whether she would like to legitimize her son by marrying Laserre. This would have disrupted her story about being a widow. Gardel told his mother that if she did not need this man in her life, neither did he, closing the matter with "I don't even wish to see him."Collier 1986, p. 7 By this time Gardes had already altered his surname to the more Spanish-sounding Gardel.
Gardel went on tour through Argentina, Uruguay, Chile, Brazil, Puerto Rico, Venezuela and Colombia, as well as making appearances in Paris, New York, Barcelona and Madrid. He sold 70,000 records in the first three months of a 1928 visit to Paris. As his popularity grew, he made a number of films for Paramount in France and the U.S. While sentimental films such as Downward Slope (1934) and El día que me quieras (1935) lack lasting dramatic value, they were outstanding showcases of his tremendous singing talents and movie star looks.
Gardel arranged for del Valle to have a house; he provided money for her to live on. Around 1930 the relationship began to degrade. Gardel had his lawyer stop making payments to del Valle, who later married another man and moved to Uruguay. She was always respectful of the memory of Gardel, even when interviewed about him in late life for a 1980s television program.Collier 1986, pp. 121–22, 233, 210.
Millions of Gardel's fans throughout Latin America went into mourning. Hordes came to pay their respects as his body was taken from Colombia through New York City and Rio de Janeiro. Thousands rendered homage during the two days he lay in state in Montevideo, the city in which his mother lived at the time. Gardel's body was laid to rest in La Chacarita Cemetery in Buenos Aires.
In October 1920, Gardel first applied for Uruguayan citizenship; in Buenos Aires he went to the Uruguayan consulate to complete paperwork that said he was born in 1887 in Tacuarembó, Uruguay. One month later he was issued a new Argentine identity card that listed him as a Uruguayan national. On 7 March 1923 he applied for citizenship in Argentina. On 1 May 1923 he took the oath of Argentine citizenship. Today, there is no absolute certainty regarding why he took these steps. The most likely reason for this act was to avoid problems with French authorities during an upcoming tour of France. As a French citizen by birth, Gardel had been required to register with the French military during the Great War. It is likely that Gardel never registered; his name is not found on any lists of registrants. Uruguay maintained a neutrality policy during the war, so Gardel probably chose Uruguayan citizenship on that basis.Collier 1986, p. 72.
In 1967, writer Erasmo Silva Cabrera started the modern dispute over Gardel's birthplace when he published arguments describing Gardel as having been born in Tacuarembó, Uruguay. Nelson Bayardo wrote a similar book in 1988. In 1990, Eduardo Payssé González published a book containing many biographical details supporting a birthplace of Tacuarembó. The story is that Gardel was born in 1887 the son of influential Uruguayan landowner Carlos Escayola and Escayola's sister-in-law, 13-year-old Maria Lelia Oliva. The unwanted boy, named Carlos, was offered to Bertha Gardes who was passing through the area on a cabaret dance tour. Gardes took the boy back to France, where she was from. Later, she and the boy traveled again, this time to Buenos Aires, where they settled. This version of events conflicts with scholarly accounts describing Gardes as an ordinary woman who Ironing and pressed clothing in Toulouse in 1890, not a touring dancer.
After Gardel's death, his legal representative, Armando Defino, produced a handwritten will which he said was written by Gardel himself, stating he was born in Toulouse, France, to Berthe Gardes (1865–1943), and baptized with the name of Charles Romuald Gardes.
In his youth in Buenos Aires, Gardel's group of close friends called him " El francesito" (Frenchie), acknowledging his French origin.Collier 1986, pp. 14, 22. After 1920, Gardel gave contradictory and evasive stories about his birthplace, most likely because of the false papers he had filed. Reporters often wrote that Gardel was Uruguayan, born in Tacuarembó. In the newspaper El Telégrafo (Paysandú, Uruguay, 25 October 1933), Gardel was reported as saying, "I'm Uruguayan, born in Tacuarembó". In the June 1935 issue of Caretas magazine of Antioquia, Colombia, Gardel was reported as saying, "My heart is Argentine, but my soul is Uruguayan, because that is where I was born". In 1931, Gardel wrote in a witnessed document, "I am French, born in Toulouse, 11 December 1890, son of Berthe Gardes."
Notes:
In the neighborhood of Abasto, Buenos Aires, the Carlos Gardel Museum opened in 2003, in a house that Gardel bought for his mother in 1927, and where he also lived from 1927 to 1933. Another Carlos Gardel Museum opened in 1999 in Valle Edén, an old farm site south of Tacuarembó, Uruguay.
There is also a small house museum, Casa Gardeliana, in Medellín.
Gardel appears as a fictionalized character in the play El día que me quieras (1979) by the Venezuelan writer José Ignacio Cabrujas.
Doble o Nada starring Dario Grandinetti and Aitana Sánchez-Gijón was released by Maverick in April 2003. It is a fictional story about a struggling Argentine tango singer who looks and sings like Gardel, and a woman admirer of Gardel, who encounters Franchi.
Biography
Early life
Career
Romantic life
Death
Birthplace controversy
Compositions
Filmography
Legacy
In literature
In film
Stamps
See also
External links
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